Three Johnny Carson Poems
Plaque Depicting a Quail Chick, Unknown, Egyptian, Ptolemaic Period (332–30 BCE)
The parrot in this one can talk
The bird at first was rescheduled
Johnny had bronchitis, could not speak
the parrot she replaced died the night before air
When the bird flies off into the crowd —
I think this is what you call the parrot’s bit —
her handler tells Johnny the bird only chatters
in total silence, that the bird loves water sounds
she fills a glass and the studio quiets for liquid hum
Perched atop her cage, the parrot does not speak
the stage lights make Johnny sweat
and what about her? Perhaps she’s used to it
the heat, the eyes, the greedy hands and mouths
do it now, do it now, speak baby, speak girl
In the audition video her handler made, the bird stands
in front of a mirror. She says to herself, pretty bird
she invites herself for coffee
she presses her face
to her glass face and whispers, porridge
her handler echoes behind: say here’s Johnny, here’s Johnny
her belly is blue, she is a pretty bird
Johnny calls her delicious, calls her silence show business
King Vulture, Meissen Porcelain Manufactory Germany, Modeled by Johann Joachim Kändler
The rooster on Johnny Carson cannot crow
First, he shakes out his wings
like he could take off from the desk
I know this part
sit on a dream
refresh email on the hour
maybe today, maybe today
Johnny wants to know how many,
how many chicks does this rooster get
Johnny wants to know what his flock is like
ask him, says his handler, I really don’t know
the rooster is past his prime
he mostly sits around, you know, roosts
The last time I fell in love
it was because we were a continent apart
really, I lived on one coast and him on the other
until he flew to me, until he took off —
The rooster shits on Johnny’s desk
he used to crow enough each day
to be entered into competitions
once one starts to crow, they seem to answer each other
the handler says of the bird
sound named after another
now, he is silent, now he —
I started wanting bigger dreams
I wanted movies, books, writers’ rooms
I wanted to be seen, to be really seen, to be —
A man in my town published a love letter to his wife
he told her grow, he told her, I want the world to know
When they come back from commercial,
the rooster sits on Johnny’s desk
the rooster does what they thought impossible
up goes his red flappy head, his yellowed beak
a rattle, a song, a crow rings out
and Johnny waves his hand
a brief conductor of sound
Johnny Carson interviews gorillas in overalls
I knew my dog would shiver
and since our home was in Philadelphia
the sweaters were necessary
and I tried not to laugh
at the first time he saw snow
at how he recoiled his paw
from the sleet on our steps
and I tried not to coo
as he walked us to the coffee shop
where they gave him free milk bones
or at how he pawed at me to lift him
as we returned to the iced city street
I tried to find him sweaters with dignity
argyle and earth tones, no frills
when I offered him booties
it was the only time
he tried to nip me
and we both looked in sorrow
as he crawled under the couch
unsure if I could ever again be trusted
or wondering if I would again trust him
When they brought the gorillas
to meet Johnny Carson
he called them his guests
they were twins, five months old
their keeper rolled them onto the stage
in a double-seated stroller. That face is so human
when they look at you, Carson confesses
as the baby grabs onto his thumb
and then grips just above his ear
right onto his hair, pulling flesh
until Carson laughed
while the overalled creature
stared and stared
rolling their eyes
as the audience roared
Juliana Roth
Juliana was selected as a VIDA Fellow with the Sundress Academy for the Arts for her fiction and is currently seeking a home for her novel and collection of short stories. Her writing appears in The Breakwater Review, Your Magic, Irish Pages, and Entropy as well as being produced as independent films that she directs. Her web series, The University, was nominated by the International Academy of Web Television for Best Drama Writing and screened at survivor justice nonprofits across the country. Currently, she teaches writing at NYU and writes the weekly newsletter Drawing Animals (subscribe here: www.julianaroth.com/drawinganimals) featuring essays, interviews, doodles, and podcast episodes celebrating our interconnection with nonhuman animal life.