Los Angeles Review of Books PubLab | We are the official annual journal of the LA Review of Books Publishing Workshop, an immersive, collaborative summer program designed for students and innovators interested in publishing.

We are the official annual publication of the LA Review of Books Publishing Workshop, an immersive, collaborative summer program designed for students and innovators interested in publishing.

Abstract floral cluster with swirling lavender petals around a dark central opening, orange-and-white striped tongue-like forms, and coral-textured petals covered in small pore-like dots.

Daniela Martén Rothe Portfolio

“Diosa Lenguona” (2021) Oil on canvas. 150×120 cm. Copyright Daniela Marten Rothe (2026)

Landscape painting of a vast plain with a lone tree, some haystacks, a few animals, and fluffy pink and purple clouds close to the horizon.

Eighteen Months of Almost

Eighteen months we passed a handful of seedsback and forth over the same field.You plant it. No, you.Neither of us knelt. The ground stayed open,soft, ready to take whatever we gave it:These feelings. Lord, these feelings!Down there it was quiet. Down there nobody...

An impressionist painting with a white waterfall cascading down the middle as animals swim up its current. There are animals drinking from a pool of water at the bottom of the painting. There's a bright red mill to the left of the waterfall, while a large green tree is to the right. A city skyline can be seen in the background behind the waterfall and mill.

Omniscient

Omniscient “The Bewitched Mill” (1913), Franz Marc, Oil on Canvas. Courtesy of the Art Institute of Chicago. The river hides its openingsin the marsh.In this, it forcesme to see. I paddle up the channel.The wind blows off my hood.The tree ahead is...

Digital collage, banana tree layered over lush forest, at center, a black woman is blended into the landscape as her gaze follows the observer.

Saida Blair Portfolio

“Untitled (Jamaica 1)” (2023). Digital collage. Copyright Saida Blair (2026)Blair's work starts with photography; nevertheless, this medium is not a containing frame. Astute and careful, her multimedial assemblages navigate the intersection of form and the oral...

Cyanotype collage featuring varied fabrics, snake skin, plants, and some chains.

Home Made Wild

In spring, we count snakes in the garden. The raised beds are built over what used to be an in-ground swimming pool. The walkway that once surrounded the pool is still in place; beneath the concrete slabs, snakes poke their heads out to reach the sun. They camouflage...

An abstract relief carving in wood with organic textures, symbolic motifs, and a central open form. The piece emphasizes contrast, movement, and the beauty of hand-carved marks.

Room for Error: On Printmaking and the Limits of the Body

Room for Error: On Printmaking and the Limits of the Body Simone Zapata, Required Transfusion (2025). Courtesy of the artist and the Pappajohn Biomedical Institute, University of Iowa. At a printmaking studio in Miami, Florida, I lay out dozens of CT scans across my...

A nineteenth-century stereograph of two side-by-side identical prints. Both are a photograph of a bride and groom during their wedding march, with their wedding party following behind. The image is largely black and white, excepting the pink bridesmaids' dresses and blue-green palm fronds surrounding the group.

Monogamy is Dead, Long Live Monogamy!

When I was a teenager, my mother died. A few years later, my father remarried. I now have the language to describe grief as an encounter with what could have been and cannot be, one in which we negotiate with imagined futures after loss. At that time, however, I found...

Andrea Long Chu’s Females, Revised

Andrea Long Chu’s Females, Revised “At Your Own Expense” (2026), digital collage and mixed media, Lauren Burnham. Incorporates various silhouettes from the ledger book of William Bache (1803-12), sourced from the National Portrait Gallery, Smithsonian...