We are the official annual publication of the LA Review of Books Publishing Workshop, an immersive, collaborative summer program designed for students and innovators interested in publishing.

Cyanotype collage featuring varied fabrics, snake skin, plants, and some chains.

Home Made Wild

In spring, we count snakes in the garden. The raised beds are built over what used to be an in-ground swimming pool. The walkway that once surrounded the pool is still in place; beneath the concrete slabs, snakes poke their heads out to reach the sun. They camouflage...
A nineteenth-century stereograph of two side-by-side identical prints. Both are a photograph of a bride and groom during their wedding march, with their wedding party following behind. The image is largely black and white, excepting the pink bridesmaids' dresses and blue-green palm fronds surrounding the group.

Monogamy is Dead, Long Live Monogamy!

When I was a teenager, my mother died. A few years later, my father remarried. I now have the language to describe grief as an encounter with what could have been and cannot be, one in which we negotiate with imagined futures after loss. At that time, however, I found...
An oil painting of eight abstract disembodied faces in colours of pinks, reds, blues, yellows, whites, and browns.

Maya Sibul Portfolio

Maya Sibul Portfolio “Vestiges” (2019). Oil pastel and pen on paper. 18 x 24. Copyright Maya Sibul, 2026. This collection by Maya Sibul functions as both retrospective and prospective, guiding us through its evolution from past to present. Rather than acting as a...
Digital collage, banana tree layered over lush forest, at center, a black woman is blended into the landscape as her gaze follows the observer.

Saida Blair Portfolio

“Untitled (Jamaica 1)” (2023). Digital collage. Copyright Saida Blair (2026)Blair's work starts with photography; nevertheless, this medium is not a containing frame. Astute and careful, her multimedial assemblages navigate the intersection of form and the oral...
A zoomed in picture of Georgia O'Keefe's neck.

On Body Horror

I WALK INTO a job interview with my mind divided between answering the questions and keeping my tics at bay. I tell my body to sit still and relax my face into a soft, hirable smile. In response, my knee bounces, my hands flex, and my brow furrows. I beg my mouth to...
A sepia photo of a woman's feet with pink shattered glass sprinkled on top.

Broad Feet

Nazuk loved the chappal store. The summer brought slippers, open-toed sandals, kolhapuris, and hawai chappals that made even the fatties buoyant. In the winter, ladies loved pumps, court heels, comfort moccasins for the grannies or the closeted lesbians, and the...
A digital collage of rows of white ink silhouettes of male profiles on a dark background. A black ink silhouette of a feminine profile on beige paper is taped sloppily on top of one row.

Andrea Long Chu’s Females, Revised

Andrea Long Chu’s Females, Revised “At Your Own Expense” (2026), digital collage and mixed media, Lauren Burnham. Incorporates various silhouettes from the ledger book of William Bache (1803-12), sourced from the National Portrait Gallery, Smithsonian...
An elaborate castle structure perches atop a monster's jaw, which swallows condemned souls.

A Corporate Digest

David followed the woman in the navy pantsuit toward a moment six years of school had been pointing to—countless dorm rooms, textbooks, and microwave dinners converging. Her five-inch-high heels led him down a precisely built hallway. It was simple yet thoroughly...